The room you are in is filled with Angels!
The next room you go to will be filled with Angels and Angels will be at your side with every step you take today. The Angels are with us and are eager to help us.
How do I know that? That's my specialty - I am an author, workshop leader and Ordained Minister whose specialty is Angels. For the past 10 years I have been helping people in private sessions and in workshops to connect more deeply with their Angels for help and assistance.
Angels are truly universal. The Pew Foundation reported that 72% of Americans believe in Angels. This is a much higher percentage than Americans who believe in any world religion, because Angels are fundamental to most of the world's major religions. We find them in Christianity, Islam, Hinduism, Buddhism, Judaism, Mormonism and many other spiritual traditions.
St. Augustine, an authority on Angels, said, "Make friends with Angels." He recommended that we make personal relationships with Angels and that we let our relationships with them deepen - much as we would with any important, intimate relationship.
Asking an Angel for help is one of our most powerful spiritual practices. We can ask the Angels for immediate help at any time and in any place. Here are some techniques that will help you:
1) Ask for help - Angels offer us help 24/7. The more receptive we are, the more help they can give us. If you diminish your receptivity you limit the Angels ability to help you. Create your own invocations, or prayers, that specifically call for the help you need. Realize that when you call upon an Angel, what really happens is that you open yourself into greater receptivity to their assistance. (See the Angel Messages at www.AskAnAngel.org for examples of invocations.)
When asking for help, it's important to realize yourself as fully worthy of Angelic assistance. Angels work with everyone regardless of personal histories and beliefs. Angels are infinite and omnipresent - your request does not diminish them in anyway nor does it affect their ability to help the rest of us at the same time. They exist beyond our experience of time and space and respond to everyone with complete unconditional love.
2) Connect with your inner divine child as you call upon the Angels and ask for help. Your inner divine child is whole, innocent and true and recognizes Angels as trustworthy gifts of Creator. This will help create openness, receptivity, excitement, eagerness and wonder as you prepare to receive the gift your Angels have prepared for you.
3) Hand everything over to the Angels when you ask for their help: every issue, problem, worry and fear as well as every good intention and positive outcome you imagine as the result of your request. Release all expectations of how your request will be answered.
4) Express Appreciation and Gratitude - Find and express genuine appreciation and gratitude for things exactly as they are. If you are struggling with this, ask the Angels to help you to find the love that is present in whatever difficulty you are facing. Have patience with this and let go of any expectation of how this love may be revealed to you.
5) Know that it is done - Every request is answered and help is always given. If you fear that your request will not be answered, then also ask for help in understanding. Trust that you will see the love in every answered prayer. You are known completely and loved unconditionally by the Angels and nothing that will serve you is ever withheld from you.
6) Act quickly on the guidance you receive. Accept the opportunity and act upon it immediately. Angelic help is infinite and unlimited - you can not use it up or run out of it. You cannot ask for "too much" and the Angels are joyously happy to give to you without limit. The faster you act, the faster you receive more assistance!
7) Celebrate yourself exactly as you are in the moment. Leave any critical judgments or negative feelings about yourself, your life, or others in the hands of the Angels for healing. Even if it is just for a few moments, let go of everything that is not of love for yourself and everything around you. In this moment of surrender much more can done for you by the Angels than you can accomplish on your own. Thank yourself and the Angels for deepening the relationship between you.
7 Steps to Connect with your Angels
Abracadabra A Great Birthday With A Magician!
Children’s birthday parties have become outrageous showcases of food, gifts, and entertainment that are costing parents more and more each year. Instead of focusing on the child, parents are striving more and more to “keep up with the Joneses” and put on fantastic displays that involve a great deal of time and money for the planning and execution of the party. Instead of worrying about booking venues packed with activities, consider throwing your child an old fashioned bash in your own backyard. For a special touch, consider hiring a magician to entertain both children and adults for the party. A magician is a great way to entertain the crowd while maintaining a unique aspect for your child’s party.
A magician is a classic way to entertain and enthrall the young and the young at heart when it comes to hosting a birthday party. If your child is interested in becoming the next Houdini, use magic as the theme for his or her party. If you are planning to hire a magician to provide entertainment for you child’s birthday party, you may need to plan ahead and book the magician’s services in advance to prevent any last minute cancellations or bookings.
If you have decided to include a magician in your child’s birthday party, call around. Ask friends, family members, or coworkers for a referral of a specific magician they have hired or seen perform in the past. Also, consider contacting your local chamber of commerce or business organization to see if there is someone offering their entertainment services for hire. You will find that word of mouth is incredibly powerful; as you can be sure the magician you hire to perform at a birthday party or any event will provide age appropriate entertainment.
Before your hire a magician or any entertainment provider, be sure to get the agreement in writing. Also, you may need to pay an initial deposit to ensure the date for the party. Some questions to ask the magician include if their material is appropriate for children, how long they plan to perform, if they are willing include the birthday child in their act, and what will happen in the unfortunate event they are unable to attend or perform.
Once you have booked your magician, be sure not to change the date and time of the party. Doing so may cost you additional money or cause you to lose the magician due to previous commitments. A magician may book several parties or events on a given day, so his or her schedule is tight and unable to be changed.
Hiring a magician is an excellent way to entertain everyone present at the party. Many magicians include kid friendly magic tricks and may even teach the children a couple of tricks of their own. If this is the case, be sure to purchase any potential items necessary for the event for the children ahead of time. Also, consider giving away magic tricks as game prizes or party favors so the theme is continued throughout the party. Your child is sure to enjoy the fun filled tricks, jokes, and illusions that a professional magician can provide.
The Bottom Line
The following article includes pertinent information that may cause you to reconsider what you thought you understood. The most important thing is to study with an open mind and be willing to revise your understanding if necessary.
What Really Matters
We are here on this earth to learn acceptance. Acceptance of everything that life can throw at us, the good and the bad. One still needs to work at right livelihood and fight for truth and justice, but there will always remain many things we simply have no control over, and we must learn to accept this. We have no other choice but acceptance if we want to progress. Acceptance leads to forgiveness which leads to progression, but it is never easy. How does one accept the continued support and popularity of war criminals masquerading as leaders or child molesters.
To embrace acceptance is to become objective...about everything in this life and on this planet. By becoming objective we are able to disconnect from many of the attachments that bind us to servitude. In the ultimate scheme of things our lifelong tribulations are insignificant. We are here such a short time, and for most of us, our influence and ability to change anything for the better is limited or remote.
The path of least resistance for most unwary souls is to be caught up in the obligations pertaining to cycles of birth, family, children, and the roles we are taught or forced to assume. In this mode the freedom of disconnection alludes us. But it is through the gradual disconnection to our worldly attachments that allows us to realize how trivial jealousy, deceit, anger and acquisition are in relation to the big picture of existence which extends well beyond our occluded perceptions. True freedom comes when one is free of these distracting imperfections and can find forgiveness towards those who have wittingly or not caused us harm or pain.
The most difficult part is to forgive yourself, but this becomes available once you realize that most of the wrong decisions made, and hurts caused to others, were made from the immature vantage point you were in at the time. You didn’t have the tools or perspective you now have to realize that bad things happen to good people, that what you may have thought was important and worth the shortcuts, was in fact just a blind alley of glitter or delusion. If you can reach this level of awareness, to see that past decisions and actions were made by a less complete and understanding self, you will then be able to find compassion and eventually forgiveness of yourself for the harm you caused to yourself and to others as a result of your shortcomings.
Nobody said it was easy. That is why, in my view, most people continue to go round and round in their mental prisons, some eventually spiraling downwards, most doomed to instant replay, and only a few who find the doorway leading to salvation. Is deliverance available to everyone? I don’t know, in fact, I doubt it. So many with besmirched and sullied egos will inevitably follow their ill conceived prejudices to the grave. Or perhaps we all have epiphanies at one time or another and it is up to us whether this brief unanticipated opening into other domains should be acknowledged and pursued, or simply dismissed as a momentary slip of the gears as in a dream.
One thing that cannot be dismissed or ignored is the reality of life, death, corruption and beauty. Also intelligence, as it is apparent that this faculty, above all, has allowed our species the ability to comprehend these very notions, and through freewill, choose to manipulate them for better or worse. Most social manipulation via political, monarchal or religious constitution, served some evolutionary purpose but ultimately failed, because no man or demigod can impart spiritual epiphanies on another. Each individual soul must make a choice to see or not to see. On a collective scale, sooner or later any Emperor in any guise is observed to have no clothes, in fact never did, and becomes exposed.
We find ourselves at this time, in this hyped electro-techno modern world, either intellectually adrift from the old paradigm of institutional oppression and its attendant restraints and excesses, living in our own delusions, or blindly and fanatically grasping its slimy tentacles as evidenced in the Muslim world. Neither is sustainable, and more likely than not, to clash inducing further misery. Attachment to any belief, even if it’s a non belief, is sowing the seeds of eventual self-destruction. Only through disconnection from externally imposed belief or self-seeking illusion, and by acceptance and the fostering of forgiveness, can we hope to find redemption. Furthermore, this enlightenment can only be realized on an individual basis. The only exception where group fervor is benign is in the unfettered praise of the gift of life through gratitude and thanksgiving, as evidenced by the enhanced aura of such gatherings. The best we can do towards the edification of grace in this world is to help others by encouraging them to follow their own insights, to impartially lend a genuinely helping hand in practical and useful areas, or to communicate love through art and beauty if we are so gifted.
Sadly, scientific studies tell us that in the marketing world at least, only 2 percent of any given population can think for itself. The remaining overwhelming majority can only act when persuaded or cajoled by an external entity, which usually means political, religious or commercial coercion. And of course, foolishly allowing this majority to lend control of our lives to any of these interest groups has resulted in our collective consciousness being entangled in yet another fine mess. The best we can hope for now, as thinking individuals, is to be adept and agile enough to position ourselves as advantageously as we can, in circumstance and place, without sacrificing our hard gained spiritual insights to expediency especially at the expense of others. We must continue to disconnect while at the same time investing in pursuit of right livelihood, which usually means sharing the best of what is in us, not an easy feat. Writing this article is my humble attempt to add some clarity to the constant clamor of present day unconscionable self-aggrandizement, and the inevitable pervading disillusionment that will soon be swirling around us.
The day will come when you can use something you read about here for beneficial impact. Then you'll be glad you took the time to learn more about actualizing acceptance.
7 Ways To Ensure Your Artwork Is Print Ready
The following article provides a quick guide on what to think about when preparing your artwork for printing.
It is important you follow these guidlines as any errors made are likely to cause a delay or cause unncessary stress should the final print quality be sub-standard.
1. Check your files
Check your artwork for spelling mistakes, grammar and ensure all images used are high resolution. Double check to make sure as any errors found will delay the turnaround of your product.
2. Bleed
Bleed is the extra bit of the design page which you design on, as normal, with the knowledge that it will be trimmed off the finished flyer. Any images on your artwork should bleed off the page, and essential text should be away from the trim edge by a good few mm's. We use a 2mm bleed area on each edge.
3. Text
Keep essential text away from the edge of the flyer, by about 8-10mm for best results.
4. Print Resolution
Ensure your artworks resolution is at least 300dpi. The higher the resolution the better.
5. File Formats
If you are using un-common fonts, ensure you supply your artwork as a flattened jpeg or tiff. This will ensure there will be no font problems when your artwork is checked. The most commonly accepted program formats are Quark, Illustrator, Photoshop, Corel Draw, Corel Paint, Freehand, InDesign and Paint Shop Pro. Vector files such as .eps and pdf's are becoming more common and ensure a better end product.
6. Colours
Unless you have a calibrated monitor your artwork is likely to have slightly different colours when printed. Ensure your colour choices are correct before sending to print.
7. A Final Check
Before sending to your printer, have one more final check that everything is as expected.
WARNING
There are two things you should consider when designing your flyers:
Due to the quick turn around of our flyers, they are trimmed down not long after they are printed, in most circumstances we try to give a printed sheet 8 hours to dry completely, this isn't always the case. This is noticeable when one side of the flyer is left white, and the other side bleeds rich colour to the trim edge. This will cause slight powdering of the rich ink over, on to the white side. In this circumstance we recommend the use of borders.
Borders on the edge of a flyer, can sometimes give the flyer a classic look. But make sure the borders are a good few mm in from the trim edge, because of the way we print flyers (up to 32 at a time) and the speed at which we turn them round (from payment, to your door) these borders may not be an accurate trim to the exact 10th of a mm. This is why we ask for a 2mm bleed. The cutting blade could go either way. We cannot be held responsible for imperfect results if these borders are slightly uneven.
A Brief History Of The Fairground Industry
Fairs in this country have a long and ancient history, deeply rooted in tradition.
The word fair is derived from the Latin ‘feria’, meaning a holiday and at one time the Romans were credited with the introduction of fairs.
It is now generally accepted that their origins are from pagan customs of the people who first settled this land; their seasonal gatherings held for the purposes of both trade and festivity, contained within them the essential elements of the fair.
The Romans did much to promote fairs by improving trade and communications throughout the country.
During the centuries following the departure of the Romans, many fairs and other festivals were incorporated into the calendar of the growing Christian Church.
Charters granted by the sovereign gave the fair legal status and an increasing importance in the economic life of the nation.
Merchants and traders from Europe, the Middle East and beyond were drawn to the great chartered fairs of the Middle Ages bringing with them a wealth of goods.
The sheer number of these fairs, no fewer than 4860 were chartered between the years 1200 and 1400, drew not only merchant but entertainers as well: jugglers, musicians and tumblers - the ancestors of today’s showmen.
The Black Death of 1348-49 brought about a new kind of fair.
In order to stem the rise in wages caused by the shortage of workers, Edward III introduced the Statute of Labourers.
This compelled all able bodied men to present themselves annually for hire at a stated wage.
These gathering or hiring fairs were held mainly around Michealmas, the end of the agricultural year.
By the early eighteenth century the trading aspects of the charter fairs had waned and most fairs consisted almost entirely of amusements, acrobats, illusionists and theatrical companies all plied their trade on fairgrounds.
Around this time the first fairground rides began to appear, small crudely constructed out of wood and propelled by gangs of boys.
In 1868, Frederick Savage, a successful agricultural engineer from Kings Lynn, devised a method of driving rides by steam.
His invention, a steam engine mounted in the centre of the ride was to transform the fairground industry.
Freed from the limitations of muscle power, rides could be made larger, more capacious and more heavily ornamented.
The showman’s demand for novelty was matched by the ingenuity of Savage and other engineers.
In the wake of the steam revolution an amazing variety of new designs and rides appeared.
These rides were the forerunners of today’s amazing thrill rides, over time innovations such as electric lighting, electric motors, hydraulics etc. allowed rides to evolve into the amazing devices that are seen today at any local fairground.
123bidz
It used to be a time where you could get a car sold by just placing a for sale in the rear window. Well, times have changed and the way we use to sell cars have changed also. There are many places online where you can list your used car for sale, but there is one major problem, the expensive listing fees. Some places charge you anywhere from $20 to $50 to run your car ad for 1 month. If you car does not sell, you have just lost a big junk of change that could of have been gas money. However, there is an alternative to these expensive listing fees. 123bidz car classified ads allows you to list your car for free for 2 months. You have the option to set a firm buy now price or you can let users bid on your for top dollar. Sell a car online fast and free without losing cash from the beginning. Getting a car sold locally can be a hassle and sometimes you sell the car under the price you wanted for it. 123bidz has made it easy for buyers to find used cars for sale by owner. Do not wait any longer to list your car. It is free to list and you could possibly get it sold today. 
2 Secrets To A Better Future
Stop for just a second, take a look around you and ask yourself if this is the quality of life you were hoping for. If you answered “No”, then my question to you is “why not?” “What are you doing to change your life?” Most people who have been asked what they’ve done to change their lives say “it’s no use because…..” and so it goes…. excuses.
But it doesn’t have to be that way. The first step in getting out of the rut is to stop making excuses and assume responsibility for the quality of your life. You can change your life situation today. How do I know? I know because others have done it. There will always be obstacles, but none that can’t be overcome. The only requirement is the desire to change. Mark Twain once said “It's not the size of the dog in the fight; it's the size of the fight in the dog.” If your “want to” is strong enough, you can achieve almost anything you set your mind to.
The second step to getting out of the rut is step out in faith and, as the Nike commercial says, “Just do it”. There is no time like the present to change course. You might not succeed the first time, but you must keep trying. Success will come with persistence. Remember the old saying “Today is the first day of the rest of your life.” Don’t worry about making a mistake. Albert Einstein once said “Anyone who has never made a mistake has never tried anything new.”
So step out. Take a chance, and as William Durant, the founder of General Motors said “Forget past mistakes. Forget failures. Forget everything except what you're going to do now and do it.”
2006 Washington Nationals Preview
2005 Overview:
Contenders for much of 2005 before finishing .500, Frank Robinson’s Washington Nationals (formerly the Montreal Expos) were the talk of the National League East prior to the all star break. The D.C. community embraced the “Nats” as the team was happy to find a permanent home stadium after splitting much of their games in 2004 between two different stadiums in Montreal and Puerto Rico. Despite holding onto first place in the National League East through the month of July, Washington fell quickly finishing their 2005 season with an 81-81 record and ended their year 9 games behind the first place Atlanta Braves.
The 2005 starting lineup was led by the newly acquired outfielder Jose Guillen (.283 24 76) and 1st baseman Nick Johnson (.289 15 74). Outfielder’s Brad Wilkerson (.248 11 57) and Preston Wilson (.26110 43) joined catcher Brian Schneider (.268 10 44) to provide the team with the rest of their offense.
Starting pitchers Livan Hernandez (15-10 3.98) and former NY Yankee Esteban Loaiza (12-10 3.77) joined John Patterson (9-7 3.13), Tony Armas (7-7 4.97) and closer Chad Cordero (2-4 1.82 47 saves in 74 games) to stabilize the 2005 pitching staff as the team greatly improved on their losing 67-96 2004 record.
Off Season Moves:
The “Nats” lost Esteban Loaiza to the Oakland Athletics and traded away Brad Wilkerson for Alfonso Soriano (.268 36 104) to help improve their offensive production which was the lowest in baseball in 2005. Washington also traded for San Diego's Brian Lawrence (7-15 4.83) and the signed free agent Ramon Ortiz (9-11 5.36) in order to help bolster their rotation. The Nationals will also have a newcomer at third since Vinny Castilla (.253 12 66) was traded to the Padres in the deal for Lawrence. Veteran Mike Stanton (3-3 4.64) was also added to help strengthen the bullpen as he was signed as a free agent late in the off season.
2006 Analysis:
The loss of Loaiza will hurt the team’s starting pitching. He provided the Nationals with 217 innings in 2005 and the Washington has yet to make any significant moves that will replace those innings. While Washington did acquire two additional starting pitchers there is little chance that either will prove as reliable as Loaiza did last season. Brian Lawrence had a terrible 2005, despite pitching in pitching friendly Petco Park, and Ramon Ortiz was released by Cincinnati Red who became frustrated with his ability to deliver any quality innings. Soriano should prove to be a great pickup, but he will not go quietly into the outfield with José Vidro (.275 7 32) or newly acquired free agent Marlon Anderson (.264 7 19) expected to start the season at 2nd base.
The Nationals’ bullpen was very good last season with Chad Cordero establishing himself as one of the game’s best young closers last year after compiling 47 saves. Stanton should also be a nice addition. The starting pitching is weak but Washington should be expected to score more runs in 2006.
3 Tips To Find The Coolest Charms Online
Wow, Charms are popular items these days. There are thousands of online businesses that sell Italian charms to all sorts of people who are interested in collecting or wearing charms as a fashion statement. We’ve dug through a lot of the offers out there and we found that charms of all sorts can be bought for reasonable prices if you look hard enough. Here are the 3 tips to find the coolest charms online.
1)Search for charms on multiple search engines. While this might seem a little obvious to most people, guess what? Different search engines produce markedly different results. For instance, everyone seems to love Google these days. Google is, indeed a remarkable search engine, but it’s not everything. A lot of new sites have a very tough getting a decent Google ranking no matter what they do. While it may seem weird to dub Microsoft an underdog, the MSN search results might return all sorts of charm related sites that you can’t find elsewhere. Search for “Italian Charms” on MSN and Yahoo, not just Google and you will find very different sites selling different types of charms than those on Google.
2)Compare designers. All charms are not created equal! What seems too good to be true usually is. Charms come from all sorts of designers, from the premiere designers in the world to the lowest quality imaginable. In fact, we wouldn’t be surprised to see Tiffany’s advertising a selection of charms. To say Tiffany’s products are different than other retailers’ is an understatement. Furthermore, some charms are made in China. Overall, expect lower quality in chinese charm bracelets than others. Pursue a good deal, but remember not all charms are created equal.
3)Find a local designer or distributor. Try searching for charms with a zipcode or city name. For instance “charms 90292” might bring a list of local charm retailers near you. You might want to inspect the charm before buying them and using the internet to find local retailers is a great way to do so. Don’t ignore the local merchants, a lot of them have websites too. Use the web for more than mail order shopping, there are a lot of people who use the internet to show off their wares that are only available in their stores.
A New Music of the Orient: a Touch of the West and a Dash of the Divine
A new musical fusion has arisen in New York and it's not the kind you can catch for ten dollars at a club in the West Village. For the many thousands of Chinese immigrants trying to stay afloat in a new world and for those westerners who have always wanted to understand the Chinese but have shied away for lack of a way in--for anyone who has wondered where the two civilizations connect, the answer may lie not in words, but in music.
Lisa Li is a master of the pipa (Chinese lute) and a graduate of the Chinese Conservatory of China. She has composed and performed across Europe, Asia and the United States, and her playing was featured in the Academy Award-winning movie The Last Emperor. Now, as one of the lead composers for New Tang Dynasty Television's Chinese New Year Spectacular, a grand scale performance of traditional Chinese dance and song, Lisa has created what she believes to be a new kind of sound--based on ancient Chinese folk and religious music, but going beyond either of them.
“Music is alive, because in the view of the Chinese ancients, every single object in the world has life. In fact, in Chinese, when we refer to a musical note we call it a ‘live note,’” she explains. But according to Lisa, it must be composed and played from the heart—sometimes in ways that sound foreign to the western ear.
But the melodies are far from random. Lisa’s music, like all traditionally composed Chinese music, is based on a series of pentatonic (5-note) scales. This system has its roots in Taoism, which teaches that all matter is formed from the five basic elements of metal, earth, wood, fire, and water. It teaches that in order for a being to be healthy, it must have all of these elements in balance. So, from the Chinese perspective, a song or piece of music must also contain a uniquely crafted balance of these elements. There are also eight note scales that relate to the Taoist symbol called the bagua, which is most commonly known in the West as part of the practice of fengshui, or geomancy.
An example of this is the piece she wrote for the dance “A Dunhuang Dream.” The dance is set against a backdrop of thousands of caves carved into the sides of cliffs as they are in the Moago Grottoes in the Dunhuang region of China. Seated at the mouth of each cave is a Buddhist or Taoist deity. As the dancers emerge, one can hear from the orchestra pit the voices of the erhu (Chinese violin) and guzhen (zither), but these are soon joined by the more recognizable resonance of cello, bass, oboe, and brass. The result strikes the ear as achingly otherworldly and yet also solidly familiar.
In fact, the specific ya yue used in the score is the same as that found in the ancient pipa music written on scrolls that were discovered by archeologists in the actual Dunhuang caves years ago.
“I feel very deeply that music is a heavenly language, a divine language,” Lisa says. “It is able to uplift people’s hearts and minds. It is good for the soul.”
Acting - Cold Reading
In regular theater an actor may prepare a monologue that he has spent many hours memorizing, for a part that he will also perform at every audition. He's spent a lot of time on this and has perfected his art and delivery. When going for an audition he is quite comfortable with his prepared lines. However, in a film or commercial audition the actor is expected to perform a script given to him that he has never seen before. This is when the art of cold reading is very important and can be a life saver.
The technical definition of cold reading is the auditioning for a part with a script in hand, one the actor has never seen. The profession says that the actor is supposed to be given the script at least 24 hours before the audition but all too often this just doesn't happen. This is why cold reading is so important to actors who work in film or commercials.
So, how do you learn to cold read? Brute force. Pick up a script, read the first line, commit it to memory and then say the line without looking at the script. You've just done your first cold reading. At first you may only be able to memorize a few words at a time, but with a little practice you'll soon be memorizing several lines at a time. Being an actor is kind of like being an athlete. The more you work at it the better you'll get. After you feel comfortable doing cold reading by yourself try it with another actor. This is when it gets fun.
When you're at your audition it's very tempting to try to sneak a peak at your next line while the other actor is doing his lines. Don't do this. How you listen to your fellow actor is just as important as speaking your lines. Wait until it's time for you to respond and then look at your next line. Memorize as much of your line as you can in a few seconds. Then make eye contact with your partner and say your next line.
If you've got more to memorize than you can with just a glance, repeat the process until you have the line memorized. But keep your face out of your script. Never read your lines while looking at your script. This is a sure way to blow the audition. Make sure you stay in character while reading your lines.
When you're actually at your audition even if you don't get the script until you get there, try to read the script in its entirety at once and remember as much of it as you can. This way you'll at least have some idea what the scene is about, who the characters are and how the conversation should go. If you have more time try to memorize the first and last lines. This will give you a strong start and finish, which is what the person auditioning you will remember the most.
When holding your script, hold with your left hand if right handed and at chest level. Never have your head buried in the script. Don't wave the script around like it is a prop. Make believe it is just a natural extension of your body. The less attention you draw to the script itself the better.
A cold reading goes much slower and feels a lot more awkward than a normal reading. This is normal and there is no need to worry about it. The casting director knows this is the first time you've seen the script. He is more interested in what kind of personality you have as the character.
Sadly, you may be the greatest actor in the world, but without being able to cold read well you aren't going to get many parts as you'll never get past the first audition. So include cold reading in your training. You'll find you'll get more parts because of it.
Zen in a thimble.
This is a way i use to bring thoughts to the physical world. There are a great many of them, and the better you get at creating them (thinking em up)The easier it will be to find work arounds in the real world, when obstacles and hurtles present themselves.
Im not exactly sure of why they work, but they do.Ok, for the first one, take all you money out of your pocket. Now lay it down on a table or something on the other side of the room.Now go find a seat somewhere that still lets you see your money. Now look at that money and try to think of ways to get that money back in your pocket. And you cant get help.List them.Hopefully everybody figured it out. If you are not magic, you gotta get up and go get it. Only way. If you are magic, then you dont need this article, so put it down and call me, imeechatly.
Doing This exercise makes you see in the physical world what you think. And from it you should see that the way to get what you want is to go get it, and bring it back to you. the funny thing is you will keep trying to figure out ways to get your money off the table, even though there arent any, its impossible. But the weird thing is that you no longer truly believe it is, yet. Use this exercise a lot and it will get you the answer to some tough questions.
Just about everything is possible, till it proves it is not.
Sometimes you have to make your thoughts real, envision them in your mind and make them real. Its like wouldnt it be much easier to figure out how to make something if you could see it. I believe that if you can see a thing in detail in your mind, it will give you clues as to how to make it real. Think about it, its corny but it feels right and works.
If you keep doing the exercise for different thoughts, you will start giving the impossible the burden of proof. And the more you think ahead the better you know what to expect,and the better you know what to expect the better you deal with the obstacle or hurtle or problem, so don't only think about reacting to hurtles and obstacles, think about attacking them too. That let's you react better in the process also, 2 for the price of one. This really works, give it a try.
Shadoweternal. (taken from article of the day at racialdebate.com)
Blocking site or key logging is one better than the other?
3 Arrests in 8 days in one small town, the first arrest an engineer, the second arrest was a Doctor, and the third was a 26 year old. All three of them were using the Internet to lure teenage girls into meeting with them for the express purpose of molesting them.
"The message is, I hope the parents of children will start monitoring what their activities are on the Internet. There are a lot of pedophiles preying on these children," said Johnston. (James Johnson is a police officer in Ardmore, Alabama).
"Check your caller I.D. Know who your kids are talking to. If you can, go into the history on your computers. Know what times they are talking to these people. They always want to talk when their parents are gone," he said.
This is such a serious problem that the FBI admits to playing catch-up when it comes to combating clever pedophiles using the Internet, and Law Enforcement agencies plea for more money to combat this growing threat.
The Bottom line is this; try as they may the government can’t stop pedophiles or keep online pedophiles away from your children, it’s up to you to keep them safe and the good news is that there are methods that can be used to not only stop online predators from harming your children, but protect yourself as well since many predators also threaten families if the victim talks.
One of the methods available is called Blocking software, this software works by blocking objectionable content from ever showing up, the software is updated frequently, often daily with a list of sites (called blacklisted), places that cannot be accessed by the computer, using either a web browser such as Internet Explorer, or an instant messaging client and whenever someone tries to access an Internet page the site is compared to the blacklist and the site/chat room is either allowed or not.
The other method is keylogging, this method work by recording everything that is typed on the keyboard or clicked by the mouse. One of the advantages that is provided by this approach is if your child has been approached online they generally will not come out and tell you since an online pedophile almost always threatens the child or their family if they talk, and many times the child feels guilty or somehow responsible for the pedophile’s approach in the first place.
Unfortunately the online pedophile knows this and capitalizes on guilt, shame or fear this is all part of the grooming process that the offender uses to ease the child into an abusive relationship.
Blocking software has its place, and is generally better used for young children since it will keep unwanted material from ever showing up, but it’s use is apparent, that is anyone over the age of 8 or perhaps even younger will know that they are being redirected to a safe website, as a parent or guardian you are definitely the best judge of your child and what they should be allowed to see, and where they should go. Which brings us to key logging software, there are many key loggers available some of them will even email you when a certain word or words that you choose are used.
Please remember that child predation is the most underreported crime in the United States, and although the statistics vary greatly depending on the source and many other factors, but the fact remains that as a parent or guardian something should be done.
Hip-Hop Love Stories and the Construction of Socially Acceptable Urban Identities
Hip-Hop has historically existed as a male-dominated industry. Being a reflection of urban life and struggle, past Hip-Hop artists have been forced to maintain a certain level of masculinity in order to be accepted by their urban communities. Old school rappers who talked about love were often viewed as soft or corny. Because of this perception, the existence of love in Hip-Hop is a fairly new concept.
As the movement has gained support and recognition throughout the world, love has become an increasingly common theme in Hip-Hop music and poetry. However, the taboo still exists. Even today, Hip-Hop artists and poets present their love stories in a manner that allows them to maintain socially acceptable identities. Hip-Hop stories about love must still meet the masculine ideology in which the movement is rooted in order to be perceived as real and true.
The purpose of this study is to analyze Hip-Hop love narratives and how artists present these love stories in order to construct socially acceptable identities. I believe personal narratives are closely tied to the construction of identities. It is through personal narratives that people can recount life-changing events, realize socially acceptable behavior and create individual identities.
I have researched and studied several Hip-Hop love songs and analyzed the lyrics as text and poetry. In my research, I have found five common narrative forms used by Hip-Hop poets to tell their love stories: contrasting, perceptual, spiritual, conversational and metaphoric. These five narrative forms are used not only to present the story correctly, but also to maintain positive perception among a society that might view this sensitivity as weak or disrespectable. I plan to demonstrate each of these narrative forms and show how the poets use them to tell their love stories while establishing acceptable identities.
The Contrasting Narrative
One of the most common forms of Hip-Hop love stories is the contrasting narrative. Many artists use Hip-Hop music and poetry to tell stories about the negativity surrounding their urban environments. The contrasting narrative allows the poet to express his or her love story as a contrast to this negativity while constructing an acceptable identity because that negativity is real and understood in urban communities.
A great introductory example to the contrasting narrative would be the following passage from Method Man’s “All I Need”:
Back when I was nothin’
You made a brother feel like he was somethin’
That's why I'm with you to this day boo no frontin’
Even when the skies were gray
You would rub me on my back and say "Baby it'll be okay"
In this song, the poet uses the contrasting narrative to show his love for someone who stood by him when “skies were gray.” He speaks of his love interest as someone who helped him get through troubled times, thus providing a positive contrast to his negative surroundings.
Another example of the contrasting love narrative can be seen in this passage from Guru’s “All I Said”:
This world is crazy, she's supposed to help me stay sane
Supposed to help with the pain, supposed to help me maintain
In this song, Guru uses the contrasting narrative to share his view of what love should be. He admits that his “world is crazy”, and that his love interest is the one person who can make it bearable.
In “She Tried”, Bubba Sparxx uses the contrasting narrative to tell a story that actually recalls his love being there for him when he was in trouble with the law:
A fly country girl, just workin’ them gifts
She's my queen, was a virgin I guess
But I ain't never ask and I ain't never tell
But Betty had the cash every time I went to jail
This song further illustrates the use of contrasting narratives to express love. Though the poet confesses spending a lot of time in jail, Betty was always there to bail him out, again acting as a positive contrast to his troubles
.
The Perceptual Narrative
Another common narrative form of Hip-Hop love stories is the perceptual narrative. Like the contrasting narrative, the perceptual narrative is based around the negativity that surrounds the poet’s life. But instead of presenting this love as a contrast to that negativity, the poet uses this narrative to explain how that love changed his or her previously negative perceptions. This narrative form also allows the poet to construct a socially acceptable identity due to the acknowledgement of the negativity of urban life.
In “Jazzy Belle”, Andre of Outkast uses the perceptual narrative to tell of how his love changed his former perception of women:
Went from yellin’ crickets and crows, witches and hoes to queen thangs
Over the years I been up on my toes and yes I seen thangs …
Now I’m willin’ to go the extra kilo-
Meter just to see my senorita get her pillow
On the side of my bed where no girl ever stay
House and doctor was the games we used to play
But now it’s real Jazzy Belle...
In this song, Andre talks about a personal change of perception caused by love. He admits that at one time he thought of women as “witches and hoes.” But “now it’s real”, and he has a new perception of women as “queen thangs.”
Another great example of the perceptual narrative can be found in the following passage of Black Star’s “Brown Skin Lady”:
I don't get many compliments, but I am confident
Used to have a complex about, gettin’ too complex
You got me, willin’ to try, looked me in the eye
My head is still in the sky, since you walked on by
In this example, the poet admits to having relationship issues, but tells of how love helped him to overcome these issues. The poet’s love interest helped him to change his perception of love and fear of “gettin’ too complex”
.
In “Ms. Fat Booty”, Mos Def further illustrates this point by demonstrating the perception of other men and speaking to his love on how he is different:
Yo, let me apologize for the other night
I know it wasn't right, but baby you know what it’s like
Some brothers don't be comin’ right
I understand, I'm feelin’ you
Besides, ‘Can I have a dance?' ain't really that original
In this song, the poet uses the perceptual narrative to acknowledge that some men “don’t be comin’ right”, but that he has a different perception of women than these other men.
In “Come Close”, Common uses the perceptual narrative to express how love has made him change from his old ways:
I want to build a tribe wit you
Protect and provide for you
Truth is I can't hide from you
The pimp in me
May have to die with you
Although the poet used to be a “pimp”, an urban term for a man who romances a large number of women, he tells of how his love interest has changed his actions and perceptions.
The Spiritual Narrative
A third common form of Hip-Hop love stories is what I like to refer to as the spiritual narrative. The spiritual narrative relies on the poet’s characterization of love as a kind of godly being, spiritual force or royalty, often with the feeling that the story teller has to protect that force. The spiritual narrative allows the storyteller to construct an acceptable identity by characterizing love as spiritual or perhaps even predetermined.
A great example of the spiritual narrative can be found in this passage of The Roots’ “You Got Me”:
Somebody told me that this planet was small
We use to live in the same building on the same floor
And never met before
Until I'm overseas on tour
And peep this Ethiopian queen from Philly
Taking classes abroad
Here, the poet uses the spiritual narrative to describe the time, place and emotions that his love was founded on, speaking of them as if they were somehow meant to happen. He also refers to his love interest as “this Ethiopian queen from Philly”, using the royal characterization so common in spiritual love narratives.
In “Love Language”, Talib Kweli also uses a spiritual narrative form and refers to his love as a kind of royalty:
Now if they call you out your name
Then that's a different thing
Anything but Queen
I'll go to war like a King
This example shows the protection aspect of common spiritual love narratives. The poet feels it is unacceptable for anyone to “call you out your name”, or in other words, use derogatory language toward his love. If someone were to do so, he would “go to war like a King”, thus maintaining his masculinity.
In “Mind Sex”, Dead Prez uses the spiritual narrative to talk about love introductions:
African princess, tell me yo' interests
Wait, let me guess boo, you probably like poetry
Here's a little something I jotted down in case I spotted you around
So let me take this opportunity
In this song, the poet uses the spiritual narrative to tell a story about the introductory conversation he had with a love interest. He refers to her as “African princess”, once again showing the tendency of poets who use the spiritual narrative to refer to their love interests as royalty.
The Conversational Narrative
The fourth common form for Hip-Hop love stories is the conversational narrative. The conversational narrative allows the poet to recite or recreate a conversation with his or her love and present it as play-like story about a specific love experience. Conversational love narratives are typically characterized by introductory speech and compliments, and are most commonly used as tools to tell a story about a first meeting or impression. These narratives allow the storyteller to construct an acceptable identity mainly because they often include many smoothly-structured compliments, and make the poet look like a cool ladies man.
A great example of the conversational love narrative can be found this passage from Dead Prez’ previously mentioned “Mind Sex”:
Pardon me love but you seem like my type
What you doin’ tonight?
You should stop by the site
We could, roll some weed play some records and talk
I got a fly spot downtown Brooklyn, New York
In this example, the poet is reciting the conversation between himself and a love interest. As with many conversational narratives, it is based around meeting someone for the first time. The poet is telling a story about a girl he met that “seem[ed] like my type”. He then inquires “What you doin’ tonight?”, and follows with a list of charming speech in an attempt to create a social relationship with the girl.
In a similar narrative, “Beautiful Skin”, Goodie Mob uses the following conversational narrative to retell the first phone conversation he had with his love interest:
This is Carlito from a couple of days ago, you sound tired
Forgive me if I've called you too late
But what better time to relate mind-states?
Where could I begin?
Has anyone ever told you ‘You got beautiful skin’?
This example further illustrates the use of introductory language in conversational narratives. The poet asks his love interest if she would like to “relate mind-states”, or get to know each other. He then tells her that she has “beautiful skin”, an often successful introductory complement given to women.
Cee Lo uses the following conversational narrative in “Slum Beautiful”:
Look at you, unbelievably, brilliant beautiful you
You're looking deliciously divine darling you really and truly do
The very thought of has got me running at the speed of love
Exploring everything about you from the ground to the God above
In this song, the poet uses the conversational narrative to speak directly to his love interest through the song. Note the wide range of compliments offered in this passage, as well as the charm, again illustrating a common aspect of the conversational narrative.
The Metaphoric Narrative
This fifth form of Hip-Hop love stories is possibly the most fascinating. It is the metaphoric narrative. The metaphoric narrative is used when the poet speaks of love in a metaphor of some kind. The most popular and socially acceptable form of metaphoric narrative is using Hip-Hop as the metaphor. Many followers of the movement view Hip-Hop as a driving force of love and happiness in their lives. Thus, many metaphoric love narratives revolve around Hip-Hop itself.
A good example of such a metaphoric narrative is the following passage from Black Eyed Peas’ “Rap Song”:
Yo, she got hips to hop
And she ain't goin’ pop
She like a record that I wanna rock
When I'm rollin’ in my ride cruisin’ down my block
In this example, the poet actually uses a unique play on words and speaks of a love interest as a Hip-Hop metaphor. He relates this person to “a record that I wanna rock”.
The group further extends the metaphor in the following passage:
She like a beat that makes me wanna grab the mic
She like the lyrics that I wanna recite
She like the old school mic with the cable
You can bring your records and I'll bring the turntable
Again, the poet relates his love interest to other things he and his audience love, including “old school mic with the cable”, reciting lyrics and spinning records on a turntable.
Another great example of the metaphoric narrative is in The Roots’ “Act Too … Love of My Life”:
Learnin’ the ropes of ghetto survival
Peepin’ out the situation I had to slide through
Had to watch my back my front plus my sides too
When it came to gettin’ mine I ain't tryin’ to argue
Sometimes I wouldn'ta made it if it wasn't for you
Hip-Hop, you the love of my life and that's true
This passage is unique because it utilizes both the metaphoric and contrasting narrative techniques. The poet refers to Hip-Hop as “the love of my life”, while simultaneously showing how that love created a positive contrast to the tough “ropes of ghetto survival”. The poet admits that he “wouldn’ta made it if it wasn’t for you”, showing that his love for Hip-Hop was and is a driving force in his life.
And that leads us to the most popular metaphoric Hip-Hop love narrative of our time. In “I Used to Love H.E.R.”, Common Sense uses the metaphoric narrative to express his love for Hip-Hop. He starts off the narrative with the following passage:
I met this girl, when I was ten years old
And what I loved most she had so much soul
She was old school, when I was just a shorty
Never knew throughout my life she would be there for me
In this example, the poet starts off telling a story about a girl he met when he “was ten years old”, and how she was always there for him. The poet continues to use the metaphoric narrative to speak of this girl, including the good times and hardships they faced together. Not until the end of the poem does the listener actually realize that the entire song is a metaphor. The song ends with the following passage:
I see rappers slammin’ her, and takin’ her to the sewer
But I'ma take her back hopin’ that the stuff stop
Cause who I'm talkin’ bout y'all is Hip-Hop
In this song, the poet used the metaphoric narrative to tell a story about the love of his life, the struggles she faced, and his desire to save her. In the end, he admits that this love is not a real person, but instead his love of Hip-Hop.
The presentation of Hip-Hop love narratives is a very difficult task. In order to talk about love and still construct a socially acceptable urban identity, artists tend to implement one of the five successful love narrative forms. I believe that our society’s analysis of Hip-Hop music and culture is lackluster at best. The Hip-Hop love narratives presented above could provide a great basis for linguistic and sociolinguistic studies. Not only are they presented in a variety of styled narrative forms, but they also include deep thought, perception and analysis of the urban environment that characterizes an increasing majority of American society. Through the analysis and study of these love narratives, linguists could come to a greater understanding of and appreciation for the Hip-Hop vernacular, literature and, ultimately, culture.
Works Cited / Discography
A Tribe Called Quest. People’s Instinctive Travels and the Paths of Rhythm. Jive Records, 1990.
Black Eyed Peas. Bridging the Gap. Interscope Records, 2000.
Black Star. Mos Def & Talib Kweli are Black Star. Rawkus Records, 1998.
Bubba Sparxx. Deliverance. Interscope Records, 2003.
Common. Electric Circus. MCA Records, 2002.
Common Sense. Resurrection. Relativity Records, 1994.
Dead Prez. Let’s Get Free. Relativity Records, 2000.
Goodie Mob. Still Standing. La Face Records, 1998.
Guru. Jazzmatazz Streetsoul Vol. 3. Virgin Records, 2000.
Method Man. Tical. Def Jam Records, 1994.
Mos Def. Black on Both Sides. Priority Records, 1999.
Outkast. ATLiens. La Face Records, 1996.
Outkast. Stankonia. La Face Records, 2003.
Talib Kweli & DJ Hi-Tek. Train of Thought. Rawkus Records, 2000.
The Roots. Things Fall Apart. MCA Records, 1999.
To Think for Oneself
Let us examine the three purposes of writing: to inform, entertain, and enlighten. To me, the second one is bottom of the list, though it is instrumental in the achievement of the two others. Every great teacher knows this intimately and readily laces his teachings with relevant and interesting stories, and humor.
The first purpose, to inform, comes second in my mind, whereas the last, to enlighten, comes first. To explain my attitude, I think it appropriate to draw your attention to my book A REASON FOR LIVING, where both of these purposes are pursued.
Part of my book relays factual or theoretical information about things like human physiology, nutrition, and universal evolution. This information relates to the current perception of reality in scientific circles. I am just a vehicle for it. Now, for two reasons, my role as a writer who informs his readers about scientific facts and theories comes second in my mind to my role as a philosopher who strives to enlighten his readers.
My main reason is that I regard wisdom as paramount, whereas the knowledge of the material world (i.e., the constituents, structure, and workings thereof) is not equally important, however useful it is on a practical level. Conscience comes before science, which in itself is incapable of providing humans with a sense of what is good, right, or sacred – in a word, with moral principles. An example of science without conscience is the destruction of nature and the violation of human rights by rogue companies who are efficient in their use, or rather abuse, of their environment and their workers to satisfy their greed.
My other reason is that my role as a writer who informs his readers about scientific facts and theories is indeed that of a mere vehicle. It is very much secondary to the role of researcher, which drives the scientific enterprise thanks to advanced instrumentation plus skillful, scholarly, and clever observations and rationalizations.
By contrast, my role as a philosopher who strives to enlighten his readers is in the driver's seat, so to speak. Not only is it concerned with everything that makes life worth living and gives humans a sense of purpose, but also it does more than mirror the light of wisdom; it generates it by force of thinking on the basis of experience and study.
Truth to tell, my readers can likewise think for themselves. They themselves can be philosophers and create their own wisdom while discovering and evaluating mine. Therefore, the light shining through in my book is there to help my readers see a range of weighty matters on which they can meditate to form their own thoughtful opinions about them. And since they can do so, I venture to argue that they should.
5 very Important Questions You Need To Ask Your Web- hosts Before You Buy
You finally decided to approach a web-hosting company for hosting your website. You got your domain name registered or perhaps you did not. Web Hosting isn't like buying groceries - there are far too many things you have to consider even for something that looks deceptively this simple as putting up a website. It depends on how cautious you are and how you manage to bag the best web-hosting provider available to serve you.
It would help you a great deal if you asked your potential web hosting provider a few pointed questions such as those mentioned below, along with the reasons as to why you need to ask ( for your knowledge).
1. Do they have sound customer support systems in place?
Now, you would find a lot of web-hosting serve providers online. Some of them serve their customers promptly while some don't. It is very important as a web master, or a web site owner for you to know how your potential service provider rates on this aspect. You could shoot some pre-sales questions about something you wanted to know or ask them one of these other questions and wait to see the response period. If they don't respond within 24 hrs (the Industry Standard) you are talking to trouble-hosting providers. Good customer service and the extent to which the provider would go to educate you or familiarize you with their available services would mean a lot to you as a client.
2. Server systems, technology, Data Centers, Back-up schedules: Does your provider explain his standing on these?
Servers are a must for a web-hosting provider. It forms his basic infrastructure. Back-systems are scheduled to run automatically and these servers are backed-up as frequently as daily with some hosting providers. What does your potential provider has to say about these things? Do they mention the kind of technology they use? Do they have reliable back-up systems at traceable data-centers? How are they equipped technically? Do they have technical people on rolls?
3. Company data, financial standing and profitability: How sound is your provider financially?
You must be wondering as to why you need to bother about your web-hosting provider's financial standing - well, it so happens than some companies might be new and there are chances that you could be talking to a fly-by-night operator. Properly financial health also signifies a stronger management which might be placed better to be able to serve its present and potential customers. However, it is another entirely that some of the best of the web-site providers also make losses and is not to be mistaken that they do not have good customer support or services offered.
4. What might be scope of service provided?
What exactly is your service provider going to offer to you? Depending on your requirements he must be able to provide everything (almost!) under one roof. You could have wanted just a single page hosted or perhaps you wanted a 300 page super content website -Do they have the range to suit your requirements? Under your allocated budgets? Single page websites usually are simple HTML pages and can be hosted easily. Your requirement can be very complex too which calls for inclusion of different application platforms like PHP, asp.net and Java extending up to scripts, forum, shopping carts, Intuitive control panels, plesk and also enabling e-commerce. So can your service provider be able to provide you all of this?
If you had plans of making a truly interactive and content rich site, you could have thought of including content in the form of Video, streaming media, blogs, chatting, live customer support and much more. You will have to ensure that your service provider is able to provide you with all of this and much more.
5. What's your provider's take on Hosting reliability and up-time guarantee?
Up-time when it comes hosting means the time (expressed in percentages) the host is available to access through the Internet. You would have seen a lot of hosting providers mention a 99.9 % up-time guarantee. But then, you ought to realize that any hosting application environment calls for maintenance too. You should ask how the web-hosting provider manages to shuffle this time efficiently. How do they manage their maintenance?
According to an extract from wikipedia
"A popular claim from the popular hosting providers is '99% or 99.9% server uptime' but this often refers only to a server being powered on and doesn't account for network downtime. Real downtime can potentially be larger than the percentage guaranteed by the provider. Many providers tie uptime, and accessibility, into their own Service Level Agreement, or SLA. SLAs may or may not include refunds or reduced costs if performance goals are not met. One must be extremely careful when selecting a new company and they should read all terms and conditions carefully. A potential customer should also check out the web hosting company's Acceptable Use Policy in order to avoid potential cancellation of services due to activities that are considered a violation"
Hence, it is important to read all their terms and conditions carefully before signing up any new company as mentioned above and never forget the Acceptable Use Policy before signing on the dotted lines.
5 Ways Nintendo can Climb to the Top
5: Shifting Media Man
Nintendo needs to ditch mini-disks and cartridges and publish games on full size compact disks. It will help get rid of your “cute, fuzzy, little kid image.”
4: Deadline Driving for 8 Billion Red Coins
Don’t hype up a game until you’re sure you can release it on time. You get me all worked up about a game like Twilight Princess and then push it back, and back, and back until you’ve pushed back into another console! It gets old! Stop doing it. Finish the game then tell people about it six month before you release it. Problem solved.
3: Footrace with Sony the Quick
It’s a little late for this one Nintendo, but you need to beat Sony to the market if you can. Get your Revolution hardware out and in our hands and take our dollars as soon as possible because after we buy an X-Box 360, 4 controllers, and a hard drive we’re probably going to have enough money for just one Next Gen system. If you can beat Sony to the market and suck up $250 bucks plus the cost of controllers, games, and memory cards people won’t be willing to shell out the $600 bucks plus games and accessory money for Play Station III.
2. Nintendo's Image Lost
You need to fix your image, you have the 3-9 year old market cornered, and nobody can touch you, but now its time to graduate to the big leagues. If you want to survive and latch onto the adult audience I suggest buying a well-known franchise like Grand Theft Auto or create one and make it a Nintendo exclusive. Remind people Nintendo started the age of multiplayer console shooters with Goldeneye.
1. To the Top of the Mountain
Last, but not least, you seriously need to get a better shell for your controller. I personally like it and think it's brilliant, but people aren't ready for it yet. You need to have a more traditional controller for your next gen system. I'm NOT SAYING YOU SHOULD GET RID OF THE MOTION SENSOR, but definitely scrap the remote control look.
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